August 29, 2016

Made to Measure Sports Jacket by Guy Field

Guy Field Made to Measure unlined sport Jacket made with a basket weave cloth from Marzoni Italy. 
Bespoke shirt made with a light blue baby twill cotton from Thomas Mason .
Wool/Linen Tie to create a trinity of blues.
Guy Field Made to Measure Chinos made with a brushed italian cotton with slight stretch for Comfort, finished with side adjusters.
Guy Field Made to Measure Sports Jacket
Jacket is unlined finished with soft shoulders and patch pockets for a relaxed vibe for summer.
Guy Field Custom Tailored Jacket
March 18, 2016

Made in Italy

 Guy Field made in Italy

The familiar ‘Made in Italy’ stamp a proud hallmark of the entire Italian nation. It carries a meaning of luxury, prestige and craftsmanship worldwide. It seems like the know-how of producing high quality, refined and stylish clothes has always been in the Italian blood. This flattering stereotype is a drive of global luxury consumption, giving owners of these items a pride and almost hedonistic pleasure. ‘Made in Italy’ is more than just a tag – it is a phenomenon which represents a lifestyle, heritage and craftsmanship of small, artisan, often family-run manufacturers, expanded over the centuries with passion and love.  

 

However, since the rise of globalisation and with a boom in low cost manufacture in Asia in recent decades, this concept has been changed. According to the law, passed in the Euro zone, any product can legally carry the ‘Made in Italy’ tag if the last substantial transformation has been processed in Italy which can be as little as the zip or buttons being attached to the garment. This challenged customers’ confidence in the hallmark, and consequently shone negative PR on the industry.

Honesty and transparency in production is highly important, especially for small, niche brands. In order to maintain customers’ faith in the production of goods, companies should deliver their promise in the clearest way possible. The ‘Made in Italy’ certification, which suggests that the products are made entirely in Italy, should reassure consumers as well as help smaller niche businesses to stand out from global brands. The supply chain process has to be transparent at the every stage of production. This can also be delivered through educating customers about the manufacturer’s use of the term, as well as allowing them to visit company factories and production lines. We at Guy Field strive for refined British sophistication, achieved through traditional British design coupled with expert Italian craftsmanship and attention to detail, is a company which is proud to carry the genuine ‘Made in Italy’ mark.

Click here for The process of a Guy Field shirt

Maria Klymenko 

Guy Field Shirts

 

 

 

 

December 14, 2015

How we make our shirts.

Honestly made shirts, designed in London and made in Italy.

Click here to watch 

December 10, 2015

CHOOSING A SUIT – CLOTH TYPE

When you’ve got to grips with what weight you want a suit to be, the next step is colour and pattern.

Suits are made in a variety of fabrics, but most commonly from wool. The two main yarns produce worsted (where the fibres are combed before spinning) and woollen (where they are not). These can be woven in a number of ways producing flannel, tweed, garbardine, and fresco amongst others.

Cashmere or a cashmere mix is considered a luxury to the outsider, and as much as it is, it’s worth knowing it can give some unwanted sheen to a suit cloth. Consequently more of an Italian look and less of an English. If you’re after a matte cloth, go for a 100% wool.

The Super cloths above Super 130’s are ultra fine, and are made from a finer yarn. It leads to a soft and light suit cloth to wear. A nice luxury for hot climates and a wardrobe with a good rotation.

Most business suits are blue or grey. Some think black is an option, but in my view it isn’t. I’m happy to see it in Evening wear, on the red carpet and as part of a restaurant uniform, but for anything else? No thanks.

 

Building a warbrobe is lots of fun, and there is a correct plan of attack. Unlike a flatpack from B&Q, there aren’t many instructions other than to say:

Get the basics in through block colours, then heavier texture, then pattern.

 

Here are a few options to get you cracking:

BLOCK COLOUR

 

Serge

A classic twill fabric that has diagonal lines and often used for suits, blazers, military uniforms and trench coats, it’s a good ‘go to’ cloth for your first classic solid navy suit.  Rich in colour, it’s only negative is that over time it can become shiny. To avoid this press the suit over a cloth.

Pic n’ Pic

Another classic. At distance, this again looks like a clean colour but, the colour has more depth due to its different tones. Often likened to ‘Salt and Pepper’ it works particulary well in grey. This combined with a white shirt and navy tie is an absolute winner.

HEAVIER TEXTURE

Birdseye

This, as the name suggests, is a design in the shape of a birds-eye. It promises a conservative look while exploring texture and a subtle two tone colour. It can be more interesting, and sits well when combined with a shirt and tie that are perhaps more flat in texture.

Herringbone

This describes a distinctive V-shaped weaving pattern resembling a broken zigzag. The pattern is called herringbone because it looks like the skeleton of the herring fish. It gets picked up by the light when wearing it and does make for an eye catching suit. But for me, I prefer it in casual wear like tweeds and linens.   

PATTERN

 

Chalk, Cable, Rope and Pin Stripes

Once you’ve built up your block colours and textures, the next place to visit is stripes. Chalk stripes are more often than not on a flannel.  Cable and Rope usually on worsted and Pin on both flannel and worsteds. When choosing a stripe consider your own stature. If you are a small frame then don’t choose a stripe that is too strong or wide.

 

Checks

These are the last port of call once you’ve ticked all the other boxes. A check suit is often considered a little more casual. But they can be really smart nonetheless. They need to be teamed with solid colours for the shirt and tie to get the most out of them. Go on… go for it!

 

 

Article by www.jamesfield.com 

Follow James Field at: www.twitter.com/MrJamesField

 

July 24, 2015

May 14, 2015

SUMMER TIME

As summer draws ever closer, the time is upon us to push twills and tweeds to the back of the wardrobe and make way for lighter cottons andlinens. While men may generally favour cross seasonal shirts and suits, the benefits of owning and rotating a spring/summer to autumn/winter wardrobe is endless.

 

Cotton: An all year round fabric which really comes to life on those summer days; its crisp and breathable construction makes it the most versatile choice be it for the office or weekend wear. With the exception of Oxford, do try and avoid anything with a medium weight and texture which will only add layer and heat.

 

Linen: An absolute staple for those tropical summer vacations, linen has come a long way from its reputation as relaxed attire. Generally regarded as the very best, Irish linen has a heavier and more robust quality which, though it can never be completely crease resistant, comes as close as possible. Whether it's a suit or shirt, Guy Field is currently carrying over 100 linens, from classic neutrals, bolds and a multitude of blues.

 

Air-Tex: This cutting edge fabric, first developed on the tennis courts, truly is an innovation in dressing. With its iconic lattice weave, air-tek is not only durable but crucially designed to allow skin to breathe. With a touch of stretch, this characteristic fabric is by far the best for those soaring summer temperatures.      

Suits

Mohair is a great replacement for even the lightest wool suits in the warmer weather and as an added bonus for the jet setters-travels really well. Linen can also be translated into a working wardrobe, when its mixed with a wool will give the added benefit to crease less.

 

February 16, 2015

A February visit to Italy.

Pictures from Guy Field's latest adventure to the Italian workshop.
Italian Light
Handcut collar
The paper yoke
Discussions
Cutting room floor
Keeping warm in the workshop
Thinking ahead, cashmere in every tone
Guy Field shirt taking shape made from an esquisit superfine 2 ply 200s from David & John Anderson
January 31, 2015

January 09, 2015

Choosing a Suit – Know your weight!

Cloth

So you need a suit. It needs to be smart, functional, fit for purpose, and, oh yes, needs to make you look and feel like a film star. It’s a straight forward ‘ask’ really. Isn’t it?

When you buy Bespoke or Made to Measure, the tailor’s job is to make you look a million dollars, but your task is equally as important, to choose the cloth.

A few pieces of advice:

  • Choose a suit cloth in the morning. The light is better. It’s also good to ask to see the cloth bunch outside and away from artificial light. It’s worth noting the change of character a cloth has in artificial and natural light.
  • When you’re selecting from a bunch, bear in mind that when a suit is made up the cloth will appear lighter because you’ll be seeing it on a bigger scale. Think about this particularly if you’re considering light greys and blue blues. Neither you or your tailor wants an “Oh-oh” moment.
  • There is a lot to be said for choosing a cloth as heavy as you can bear. A tailor will tell you this because it helps with the way the suit drapes (hangs) and ultimately looks. However, be practical. Your suit needs to serve it’s purpose.
  • Finally, while perhaps not quite as important but useful, have a rough idea of what you are looking for before you set off. Some tailors will have upwards of 4,000 cloths to choose from and you might soon become the kid in a sweet shop.

 

To get you going, answer these questions:

  • What colour?
  • What are you going to wear it for?
  • When are you going to wear it? (Whether it be home or abroad in different climates.)

 

Cloth is defined by it’s weight, and usually in ounces. If in grams simply divide by 30 to get the weight in ounces.  As the years have gone by, suits have become lighter and demand for the big hitters (18/19oz) has dwindled.

So, here it is in a nutshell…

7oz – 9oz is a light weight, great for the height of summer here in the UK and other hot climates abroad.

9.5oz – 11oz is a light to mid weight.  Good for the cross over seasons. Moving from Spring to Summer and late Summer to Autumn.

11oz – 12oz is a mid weight and my favourite weight. Perfect for the majority of the year – perhaps 9/10 months of the year. If you’re starting to build your wardrobe, there is no better weight to start with.

12oz – 13oz is still a mid weight but with more of a punch. A sound option for about 8 months of the year, it’s another all-rounder, a little heavier but still an option you will get a lot of wear from.

14oz –19oz is a heavy weight. As mentioned, there is less called for these weights. A tailors dream because they make up so well, these weights are nothing nicer on a cold Autumn or Winter’s day.

As a rule of thumb, if you’re in any doubt of your selection, ask for some swatches, go home and have a think. A Bespoke or Made to Measure suit is a big investment, so take your time in choosing. You can even ask me if you like!

Follow James at: www.twitter.com/MrJamesField

www.jamesfield.com

November 11, 2014

About our Shirting Fabrics

Quality is everything to me that’s why I only use the very best fabrics from the finest mills in Italy. I have a library of over 1000 cotton and linens which are all two-fold, meaning that two very finely spun yarns have been subsequently twisted together to form a two-fold yarn which make our cottons much stronger, smoother with a unsurpassed lustre. I’ve compiled a little background on the different cottons and how they come to be.

 

Cotton is planted in Egypt towards the end of March and harvested around September. The harvested mass of cotton fibres known as stables are placed, combed and twisted into yarns. The raw yarns are dyed into coloured yarns. The weaving process has too sets of yarns called the warp (vertical component) and the weft (horizontal component) are interlaced with each other to form a fabric. This occurs on looms by weavers. The weaved fabric can be treated to give a distinctive finish before being ready to be cut and tailored into garments durability.

The count (or thickness) of a cotton yarn is based on the traditional English system and is equal to the number of 840 yard (764m) skeins (length of yarn) required to weigh 1 pound (0.453kg) Under this system, the higher the number of yarn count, the finer the yarn and thus more precious the fabric will be.

 

Poplin is a light cotton fabric with a high number of yarns in the warp (vertical component) than in the weft (horizontal component) which makes it especially suitable for striped designs. The name is derived from the french word 'papaline', namely a fabric that was created for the Pope in the Middle Ages. Particularly useful in the warmer months to stay as cool and collected as possible.

A fabric with a twill weave is identified by its pattern of diagonal lines. This structure is created by passing the weft thread over one or more warp threads and then under two or more warp threads and so on. Each time a ''step'' is left between rows resulting in the characteristic diagonal structure. The use of the diagonal weave means its possible to incorporate more threads, creating a heavier fabric more useful in the cooler months. Variations on a twill include baby twill, royal twill and herringbone, all of which we use in our shirts.

Oxfords are produced by interlacing two threads on a colour warp with a thick white weft. The process has been improved in recent years weaving yarns together in complex dobby structures to achieve the typical oxford appearance. Finer versions of an Oxford are referred to as Royal Oxford, Pin Point and Panama, all of which we use. Warmer than poplin, its soft to the touch and is favoured for its durability.

Linen comes from the fibres of a flax plant. It is the only textile fibre that grows in Europe, and it was the first to be cultivated and transformed by man. It is valued for its exceptional coolness in hot weather and is also the strongest natural textile fibre. Linen is also ecological as a plant it requires less water than other crops and requires a minimal quantity of fertilisers.